Updated: 02/18/03

THE MAN, THE LEGEND, MR. RONNIE JAMES DIO

DIO KINGS X HAMMERFALL Universal Amphitheatre November 14, 2002

One of the shows I went to see right at deadline time was Ronnie James Dio and his band performing at the Universal Amphitheater. I haven’t had the chance to see him since the Angry Machines tour, and I must tell you, the man is at the very height of his career. The voice still sounds good, and while the Universal Amphitheater may not be The Forum, there is no denying that the metal Dio performs still strikes passion in his fans after all these years. When performing classics such as Holy Diver, Heaven And Hell, The Last In Line, or Don’t Talk To Strangers, the audience went into a wild frenzy. The new material is equally as impressive, with Dio and band performing three killer tracks from Killing The Dragon as well as a selection of tunes from the Magica concept album. Dio still has a tremendous voice and can out-perform any of the new breed of heavy metal bands. A veteran after 30 years in the business, it is great to see Dio still going strong both live and in the recording studio. The last song performed was Rainbow In The Dark, a tune that still exudes magic and hope after all these years. Many left the show feeling they could take on the world.

Kings X played right before Dio, and while they only have three members, their expertly played blues metal filled the venue. This is another band that has gained a good deal of respect over the years.

To me, seeing Hammerfall for the first time since they performed with Death here in LA was a real treat! Although they played six songs, all four albums were covered and the band played with a grand sense of urgency and conviction. Anthems such as Heeding The Call and Let The Hammerfall where well received even by those who had never heard them before. The tracks performed from their new album Crimson Glory included Riders Of The Storm and Hearts On Fire, and they were a genuine thrill to the ears. Hammerfall is a new breed of band that shall carry the power metal torch into this next millennium! Here’s hoping these guys don’t take another four years to make a grand return to the States.

THE STARTING LINE THE EARLY NOVEMBER PARK The Troubadour November 26, 2002

The Starting Line were back in Los Angeles, performing their first headlining show at the world famous Troubadour. Greeting the band was an enthusiastic sold out house, clearly demonstrating that all their time spent on the left coast is paying off.

Park was up first, performing songs from their Lobster Records release entitled No Signal. Based out of Springfield, Illinois, Park delivered a spirited set of emo punk, including The Ghost You Are and S Is For Susan. Surely gaining a lot of fans because of their live shows, even Starting Line vocalist Kenny was looking on visibly from the sidelines and would soon join Park on a few songs. Although their moniker is unassuming, Park is bound to sell out shows on their own and make a name for themselves in the pop and punk arena.

Up next was The Early November, the latest Drive Thru Records addition. Although they just have an EP out, it was amazing how most people in the audience knew the words to every song. Emotional, dreamy and packed with a sharp edge, The Early November’s memorable tunes are clearly crowd pleasers. Hailing from New Jersey, these guys possess a more somber style that most of their label mates, but still put on an enthusiastic set. De sure to check out For All Of This by The Early November and catch these guys the next time they wander into town.

Of course, the night belonged to The Starting Line, and they rocked the house like they really meant it! Their full length debut Say It Like You Mean It, along with their infectious live shows, has garnered The Starting Line a good deal of praise and attention. As emo punk bands are infesting the world by the dozens, The Starting Line stand way apart of it all due to their killer songs and a live presentation that even the most jaded of music critic could enjoy. Leaving, Cheek To Cheek, The Best Of Me, and many of the other favorites were performed with a high intensity – and the crowd went crazy when the band performed their tribute to California entitled Left Coast Envy. All this, and their slammin’ version of J-Lo’s I’m Real is a show-stopper that sounds radically different than what Ms. Lopez and her crew may have had in mind. With The Troubadour being sold out and The Starting Line becoming known all over the country, it may not be necessary for them to achieve radio play – but still call stations like KROQ and pester the hell out of them to play this amazing band! The Starting Line will not be going away soon, and are destined for the big time – with or without support from the almighty commercial airwaves! Expect them in California again and soon…

DILATE The Whisky December 2, 2002

Arriving from Houston to do a special one-off show at the world famous Whisky, Dilate drew in a respectable crowd of onlookers cheering on their first ever LA appearance. Performing an early industry friendly slot, there is certainly plenty to recommend regarding these talented Texan musicians. Heading more towards the technical Primus style than the expected nu-metal sound, Dilate impressed the crowd with their totally imaginative playing and highly memorable songs. Bill on bass supplies a killer low end to the sound, going above and beyond what is expected from the rhythm section – this guy may be young but has the soul of a seasoned jazz professional. The guitar grooves by The Germ are always inventive and filled with substance and power. Sasha on drums is a total maniac, infusing the Dilate sound with an endless amount of sheer energy. It may have taken a few songs for singer Nathan to warm up to the proceedings, but when he did, his vocal performance was powerful and magnetic. If these guys show this much passion away from home in unfamiliar surroundings, their Houston shows must be totally off the map. Dilate exhibit a good deal of promise and have a tremendous future ahead of them. Currently shopping their Open album to the labels, it won’t be long before everyone will find out about this compelling new band from Bush country.

HATEBREED BLEEDING THROUGH TERROR SINAI BEACH The Palace December 3, 2002

In between tours, Hatebreed made a special stop in Los Angeles to a packed house and invited three extremely promising bands to open the show for them. Although I only caught a few songs from the first act Sinai Beach, their intense brand of hardcore and metal won over the early arrivers. Stating that they are a Christian band, they are extremely heavy and will win over fans from all walks of life. Their debut album is coming in March from Facedown Records.

Up next was Terror, a local hardcore act from the San Fernando Valley who have just released an album on Bridge 9 Records entitled Lowest Of The Low. Pretty much living up to their name live, the vocalist of Terror went right up to the barricade several times to spread their metallic gospel to the moshing masses. Expect these guys to impress with their dynamic live performances from Los Angeles, Granada Hills and beyond.

Bleeding Through is another brutal as fuck band hailing from Southern California who have garnered a solid reputation in such a short time. Combining blackened death with a hardcore edge, these guys compare well to their European counterparts such as Dimmu Borgir and The Crown. Performing songs from their Indecision release Portrait Of A Goddess, you would have thought Bleeding Through was the headliner judging by the thunderous crowd reaction. Highlights in the band range from the in-your-face vocal inflections of Brandon Schieppati to the gloriously subtle keyboard work of Molly Street. Savior, Saint, Salvation and Rise were among the tunes Bleeding Through spewed forth to the now over-packed Palace. Easily one of LA’s best metal bands!

After three intense opening acts, one began to contemplate whether or not the audience had enough energy left for the mighty Hatebreed. Once vocalist Jamey Jasta and his crew hit the stage, there was little doubt that the place was about to go up in flames. Playing several older tunes like Empty Promises and a ton of songs from their fantastic Universal Records debut Perseverance, there was no containing this unstoppable hardcore force. Hatebreed has grown into a tremendous musical force since their humble beginning, and they continue to spread their vicious agenda onto an unsuspecting populace. At the very height of their musical prowess, new songs such as Smash Your Enemies and Nameless are destined to be hardcore classics. A dynamic performance from a fierce group of guys who can still deliver the goods after all these years as well as lend their support to unknown hardcore bands. All this, and on a major label too…

METAL BLADE 20TH ANNIVERSARY PARTY The Palace December 4, 2002

Metal Blade Records celebrated 20 Years of existence recently and brought out many of their powerhouse bands for a night of partying and mayhem. The entertainment ranged from all spectrums of the metal arena, showing just how encompassing this genre could be.

Cattle Decapitation was up next, spewing out their venomous brand of hardcore and grind metal for the unsuspecting masses. Travis Ryan came on wearing a rather gruesome looking mask and proceeded to drool goo out of it as he assaulted the crowd with his fiery vo-kills. A brilliantly disturbing performance from a band determined to blow out the eardrums of the entire world! Their album is called To Serve Man, and like their live show, the mu-sick must be played LOUD!

For those who headed for the lobby when it sounded like hell on earth on the inside, Engine brought a lot of people back. Featuring Ray Alder of Fates Warning on vocals, Engine has a thoroughly modern sound that could easily break through onto the radio. Songs performed from their two Metal Blade releases included Monster, Losing Ground, and The Perfect Star. Although the band is a far cry from the regular sound that Metal Blade is know for, the members of Engine know how to rock and won over both the converted and quite a few of the skeptical as well.

LIZZY BORDEN AND METAL BLADE FOUNDER BRIAN SLAGEL TOAST 20 YEARS

Up next was Sunset Strip legend Lizzy Borden, decked out in leather and playing all the hits. Gone is the wild Dee Snider like hair, exchanged for long, entirely straight goth-like locks. Still a formidable stage presence, Borden and his killer band performed Psychopath, Me Against The World, and American Metal to a wildly receptive crowd. During the set, Metal Blade founder Brian Slagel came onstage and led a toast to a memorable 20 years. Immediately following was a rowdy rendition of Born To Be Wild, all done in the classic Lizzy metal style. After all this time, the diehards still thrill to the Lizzy Borden legacy, and judging by the reactions of the fans, the cult of Lizzy mania will not die anytime soon.

JOHN BUSH OF ARMORED SAINT

Another band recently making a tremendous comeback is Armored Saint, whose Revelation album of a few years ago put them back at the top of the heap. Getting ready to take a hiatus due to John Bush’s forthcoming participation in Anthrax, Armored Saint were in top form at The Palace. Bush is a compelling frontman, one who goes directly into the crowd to make sure they are having a great time. Opening with Paydirt from their current release, the Saint played such killer classics as Reign Of Fire, You’re Never Alone and Madhouse. Fans were even treated to hearing Unstable live for the very first time ever. With such a maddening crowd reaction, it’s too bad that the Saint have to go into hibernation once again. An unforgettable set!

BOUNCING SOULS ANTI-FLAG The Palace December 6, 2002

Because of traffic and an assortment of other idiotic things going on, I totally missed The Code! Their AF-released Alert Awake Involved is one of the best punk rock records I’ve heard in quite some time, so I hope to see these guys back in Cali soon. The evening belonged to Bouncing Souls and Anti-Flag, on tour in support of their recent BYO split recording.

Anti-Flag played a passionate set of politically inspired punk. Having witnessed their inspiring live show at the Warped Tour over the summer, I was anxious to see them once again and was not disappointed! With Bush and his cronies ready to send everyone off to war, the messages Anti-Flag present are more important than ever. Songs like Die For The Government and 911 For Peace could be the anthems of the current anti-war movement. Provoking thought and debate like no other punk band in recent memory, Anti-Flag give to the world a powerful live performance with each and every show. Justin Sane and the guys are the big kick in the ass the punk movement needs! Be sure to catch Anti-Flag live the next time they show up in town!

Not nearly as political as the Anti-Flag brigade, Bouncing Souls nevertheless have a remarkable history in the punk rock scene. Like Anti-Flag, they have their own Chunksaah label that fully supports novice bands. Performing such favorites as True Believer, Hopeless Romantic, and Private Radio, the punk rock anthems and slam pits were in full force. A brilliant night of old school punk that left each member of the audience ready and willing to take on the whole Bush-loving world!

ANTIFREEZE RUDIGER The Roxy December 8, 2002

The Midwest and OC collided for a punk and pop tour, with a kaleidoscopic explosion of infectious noise being heard locally at both The Chain Reaction and The Roxy. Unfortunately I missed opening act Breakdance Vietnam (what a cool, demented name for a band), but arrived just in time to see OC favorites Rudiger’s set.

Based out of Upland, Rudiger has been performing out of town quite a bit lately, spreading their rock and roll anthems to those outside of the OC area they usually play. Their debut disc Travel By Night is easily the best kept secret of 2002 – but with live performances as great as their Roxy show, many people are sure to find out about the band named after something Bart Simpson once blurted out. Combining old fashioned rock and roll with emotional vocals and a driving sense of urgency, Rudiger’s winning set included the inspiring No Black Clouds, and a moving cover of The Beatles classic Yesterday. The highlight of the set was their final song Reaching, a lengthy opus of hope and inspiration performed with a sense of raw passion and urgency. Rhythm guitarist Jared Caballero doesn’t go for the whiny emo approach, choosing dark Richard Butler-like (Psychedelic Furs) vocal inflections that stand way out in an overcrowded genre. There is something truly unique and sincere about the songs Rudiger performs – expect this band to make it big in 2003!

The headlining act was Antifreeze from Appleton, Wisconsin, who have a release on the Kung Fu label which was produced by The Ataris’ Kris Roe. Rudiger must have been a tough act to follow each and every night of the tour, but Antifreeze’s super-infectious pop songs won over the mostly female members of the audience. Set highlights included Ordinary, Is He Your Boyfriend, and On And On plus other tracks from their Four Letter Words album. Possessing a knack for songs that could infiltrate the airwaves like a plague unleashed, a band like Antifreeze should have packed the house. Those in attendance rocked out and stayed for the entire set, witnessing an exuberance from one of the most promising new bands on the Kung Fu label. Bassist Tim Crowley and guitarist Jon Hietpas share the lead vocals, and while their styles and personalities are quite a bit different when singing their individual songs, they bring a good deal of variety into the band! Guitarist Mason Zuleger is a subtle presence contributing greatly to the frenetic party sounds, while new drummer Trevor Matthias adds a driving, manic beat to the proceedings. The next time Antifreeze show up in LA, those into bands like MXPX and The Ataris should tear themselves away from the TV and check this talented band out.

ALLISTER NHOI The Troubadour December 11. 2002

When I first saw Allister perform live, I just plain didn’t like them. Sandwiched between the thoroughly original Moth and the killer screamo antics of Finch on a Roxy bill, Allister looked like a pitifully amateur Blink 182 – only not even half as funny. But something happened along the way. The band put on a solid set at The Warped Tour in Los Angeles and then released an album of pure pop/punk perfection on Drive Thru entitled Last Stop Suburbia. While maintaining the fun loving live atmosphere, constant touring and a few infectious tunes has done wonders for this band. Appearing at the Troubadour before an enthusiastic crowd, Allister once again delivered a rousing show. Songs performed included Friday Night, Overrated, the anthem Radio Player, and a rockin’ cover of The Ramones tune I Wanna Be Sedated. The place didn’t sell out like when other Drive-Thru bands pass through town, but Allister should easily win over the masses with their high energy shows and winning tunes.

Another band I saw at The Warped Tour was NHOI aka Never Heard Of It. While losing a bit of the crowd, the band managed to keep all the pretty girlies inside. NHOI is truly a DIY band, showing up personally at The Troubadour to pass out poster sized flyers a week before the show. They’ve put out their CD on their own Unmotivated Records. NOHI give their all live, and any band who covers obscure 70’s relic Build Me Up Buttercup by The Foundations aspires to more than just being the next New Found Glory. Here’s hoping hard work and perseverance pay off big time for NHOI! Be sure to check out their latest CD Limited Edition and visit their website http://www.neverheardofit.com!

AVENGED SEVENFOLD ATREYU HOPESFALL THE BEAUTIFUL MISTAKE The Showcase Theater December 14, 2002

The Showcase in Corona takes forever and a day to get out to from Los Angeles, subsequently I hadn’t been there in a good number of years. But after seeing this bill, we decided to make the trek out there, and it was certainly well worth the trip. Four great bands and an out of control audience – I mean, what more could you ask for?

First up was The Beautiful Mistake, a terrific emo-core band from Riverside. Their Militia Group album Light A Match For I Deserve To Burn has been embedded in my CD player as of late, and in a live setting, they give their songs an even higher intensity. Combining soothing vocals with highly charged screamo inflections, the two styles mesh successful together, rendering their set a super emotional stab at the senses. Best songs performed included Anonymous VS California, Stabbing Backwards and the superb Light A Match. The audience watched politely as the band raged on and paid attention when the screamo guy spoke out about kids getting beat up just because of the kind of music they like.

The party really started when Hopesfall hit the stage. By now, The Showcase was packed to the rafters literally, and kids were going berserk in the slam pit. Playing songs from their latest Trustkill album The Satellite Years, these guys from North Carolina spewed out the metalcore with dead on precision.

Next was Atreyu, who were just coming back from yet another touring adventure across the States. This would be a homecoming of sorts, and easily one they and their fans would remember for quite some time. Kids were diving off the rafters and into the crowd by now, while others decided to be part of the show and literally joined the band onstage. While most of the members kind of backed up to avoid oncoming traffic, lead vocalist Alex Varkatzas bravely went to the front of the stage and screamed out the passionate lyrics to a wildly enthusiastic mob. After colliding with several kids during the show, one wonders if Alex didn’t have bruises for weeks after their tremendous set. Their album is entitled Suicide Notes and Butterfly Kisses, available now from Victory Records!

The last band of the night was Avenged Sevenfold from Orange County. If the Atreyu set didn’t tire out the kids, Avenged Sevenfold was sure to finish them off. A successful hybrid of At The Gates meets Hatebreed with a dash of 80’s metal thrown in for good measure, Avenged Sevenfold have mastered a totally devastating sound. Playing tunes from their Hopeless Records release Sounding The Seventh Trumpet, the clarion call was more like for a party as the audience slammed it up and sang along with each and every song. This band has loads of charisma to spare and never fail to put on nothing short of a killer live presentation. Highwire Daze Bret had fled for safer territory by the point, but for me and many in the crowd, it was a night of uncontrolled chaos and great music. You can bet I’ll be going back to The Showcase and seeing all of these bands again!

BLIND GUARDIAN SYMPHONY X ONWARD The Key Club December 15, 2003

On their first tour Stateside, Blind Guardian was facing problems left and right, and one was beginning to wonder if they would show up for their local LA date. Rumors circulated that they would not, but a lucky change of fate found the band making their way to the Key Club and played an unforgettable show. The songs spanned from all of their albums, with tunes like The Bard Song, Bright Eyes, Nightfall, and Harvest Of Sorrow totally entrancing the sold out audience. Vocalist Hansi Kurch filled the room with lyrics of wonder and enchantment. He and the band seemed genuinely excited to be in the city of angels, playing for such an enthusiastic crowd. The epic power metal that Blind Guardian presents is capable of taking the listener to a place far away from the wilds of Hollywood, and for a good two hours, there was a magic in the air. Be sure to check out A Night At The Opera and all the other Blind Guardian releases, cuz who knows when they’ll be back again to spread their mystical stories upon these shores.

Opening the night were Onward and Symphony X. Onward played a solid set of heavy ass metal. It was good to see a packed room who truly appreciated Michael Grant’s powerhouse vocals and Toby Knapp’s masterful guitar artistry. Symphony X also delivered a set of epic proportions, with superb musicianship and lengthy songs ruling the day. This was also their first night in LA, and it was great to see a lot of people familiar with their material and singing along.

PLAIN WHITE T’S STARING BACK The Troubadour December 19, 2002

The Plain White T’s were in town, playing a local show at the world famous Troubadour in Hollywood. Performing songs from their outstanding debut Stop, the band combined highly emotional lyrics with super catchy melodies. The music is extremely listener friendly, with songs like Stop and All Your Fault clearly being the crowd favorites. The vocals on Perfect For You hit a tremendously emotional note, with one feeling like they unwittingly stepped into the life of an unhappy couple. All would have been perfect, except for the fact that singer/guitarist Tom Higgenson was slowly losing his voice during the set due to a nasty cold. But the infectious songs and live performance won out big time. Expect the Plain White T’s to be right up there with Jimmy Eat World as one of the best this alternative/emo scene has to offer. Can’t wait to see this band again, and hopefully the vocalist won’t be sick!

STARING BACK AT THE TROUBADOUR

In addition to Stop by the Plain White T’s, I had been playing Staring Back’s new album On a great deal. It was quite a surprise to see that this Santa Barbara band had been added to the show. Incessant touring has made Staring Back even tighter as a live unit. Matt Evans exudes a good deal of presence and charisma on vocals, running all over the stage and being in your face whether it be with the emotive lyrics or his telling the audience that fighting in a slam pit sucks! Staring Back should be all over KROQ with terrific songs such as Version 2.0, Me Five Years From Now Somewhere Else, and Seasick While Standing Still – it would surely be exciting to see them playing for an acoustic Christmas show or on the Warped Tour where they can really find their audience! In the meantime, enjoy Staring Back and the Plain White T’s while you can still see them playing live in little venues…

OTHER 2002 REVIEWS

TSUNAMI BOMB AUDIO KARATE THE FRISK DAYS AWAY The Troubadour September 21, 2002

Tsunami Bomb was throwing a release party for their debut album on Kung Fu Records entitled The Ultimate Escape. The Troubadour was completely sold out and the place was packed to the rafters, all awaiting the arrival of the Petaluma, California based band. In the meantime, there were three opening acts that would entertain those who arrived early to party.

Based out of Philadelphia, Days Away sound a bit like The Starting Line, and performed a set of contemplative emo-rock. There is a sincerity to the music that renders Days Away instantly likable and user friendly. Best songs in their short set included Keep Your Voices Down, Waking Up, and Easier Said Than Done. More on this promising up and coming band in the Midtown review below...

Stealing the show in a gloriously demented fashion was The Frisk from San Francisco. Featuring members from AFI and The Nerve Agents, The Frisk played their rambunctious brand of rock and roll, infusing the songs with drive and attitude. Hanging a giant black light picture of a cobra behind them, the venomous tunes The Frisk performed had the audience slamming away big time. A nice contrast to the dreamy emo sounds of previous band Days Away, The Frisk assaulted the capacity crowd with tunes such as Bad Ass Cobra, Scream My Name, and We Are The Frisk. Vocalist Jesse Luscious is all over the stage, oozing of charisma and affability when he isn't taunting various members of the audience. This was their first performance here in LA, and there was no doubt that The Frisk won over a good number of fans with their over the top live show. If old school punk rock is your thing, do whatever it takes to catch The Frisk when they play in Los Angeles again! Expect great things and unpredictable stage antics from this rowdy Bay Area band!

After a dynamic set from The Frisk, just about anyone daring to play next would suffer in comparison. Audio Karate from Rosemead was the band to perform next, and they blasted through a set of tunes from their Kung Fu release Space Camp. The guys played fast and furious, cruising through their set at warped speed. The songs were spirited and lively, and when the end of their show came crashing down, Audio Karate held their own and garnered a good deal of attention in the process.

Headlining the show was Tsumani Bomb, who performed a fun set of tunes from their just released Kung Fu debut. It was entertaining watching the girls crowd surfing throughout Tsunami Bomb's well received set. Vocalist Agent M and her band performed tunes that many in the audience could relate too, demonstrating why Tsunami Bomb has generated such a passionate array of fans. Definitely a wild night at The Troubadour - it's good to see a band as hard working as Tsunami Bomb finally breaking out and getting the praise and recognition they deserve. I remember receiving their demo a few years ago in the mail and they've come a long way baby. Expect Tsunami Bomb to go the distance with The Ultimate Escape and their thrilling live performances.

REEL BIG FISH THE STARTING LINE The Palace September 26, 2002

In celebration of their just released album Cheer Up, Reel Big Fish took over The Palace in Hollywood, bringing ska back to the ultra-jaded masses. The band has matured musically since the glory days of Sell Out and have carried over many die hard fans in the process.

Opening for Reel Big Fish for the entire tour was The Starting Line, a band who plays LA so often, many are beginning to think they are local natives. Actually based out of Philadelphia, these guys perform a super infectious brand of emo-pop, and appeared to draw in a good crowd of their own at The Palace. They seemed to be rushing through the set a bit, but the energy the band members displayed reverberated throughout the entire auditorium. Left Coast Envy is a song The Starting Line has dedicated to those of us here in California, and it's a tune filled with exuberance when performed live. The band's cover of the J'Lo song I'm Real is always a treat to hear, with the guys adding a punk rock flair to the commercial radio staple. Cheek To Cheek is a powerful song, with vocalist Kenny Vasoli screaming the chorus that Finch member Nate Barcalow performs so admirably on the album. The unexpected last song of their set was the bitter sentiments of A Goodnight's Sleep, with Kenny singing, "You can sleep in your own bed tonight." The band was suppose to close with their anthem Remember, but their set was cut short by friendly The Palace staff.

Reel Big Fish played an impressive, rambunctious set, consisting of tunes from their various albums. The three-piece horn section is fun to watch, and the songs still sound lively. Some of the big ska anthems Reel Big Fish delivered to the enthusiastic crowd included Everything Sucks, Down In Flames, Somebody Loved Me, In The Pit, and I'll Never Be. The Palace was jamming to what basically was a homecoming for a band that still packs a vital punch after all this time. No matter what trends come and go, bands like Reel Big Fish do not compromise their musical visions, embellishing on their signature sound with each passing year. Be sure to check out their great new album Cheer Up, now available from the Jive/Mojo label. And when Reel Big Fish come back to your town, be sure to take all your friends and party to the big bad rock and ska sounds!

Fairweather and Codeseven were on tour, playing a few dates here in the Southland, showcasing why they are two of the most innovative young bands on the music scene today. Highwire Daze caught both their OC and LA shows.

Being the first band on the bill is never easy - you never know if anyone will even be around to see your performance. While there were a good number of people at The Chain Reaction, not many had shown up early to witness Codeseven's set at The Troubadour. It didn't matter, because Codeseven stunned the early arrivals with their unique musical visions. The Rescue is one of the most brilliant albums to come out this year, filled with hypnotic, melodious passages and stunning vocals. How fortunate that Codeseven can pull this all off live, including the melancholic piano sounds exuding out of the guitar. Once a hardcore band, only a hint of their former roots was displayed when they performed The Leeches Of Karma. Otherwise, it was all about The Rescue, and many in the audience appreciated the dramatic change in style. The quirky stage presence and passionate vocals of Jeff Jenkins really added an otherworldly dimension to the songs. Suddenly finding themselves creating an original sound that is both compelling and inviting, Codeseven are slowly bringing old fans around and winning a lot of new fans along the way. Imagine Pink Floyd mixed with a somewhat emo exuberance and you are only beginning to describe the Codeseven experience. Now if we can only get them to play their cover of Don Henley's The Boys Of Summer from their first album - that would really freak people out even more...

A few bands later, the headlining Fairweather arrived onto the stage, tearing apart the venues with their dynamic brand of indie rock and roll. Touring in support of their second Equal Vision release Alaska, Fairweather sent both venues into the slam pit stratosphere with their hyperactive songs. These guys played loud and furious, yet managed to make their tunes catchy and filled with memorable hooks. Based out of the DC area, Fairweather has seen a good amount of members come and go, yet they remain a tight unit hell-bent on delivering their driving wall of noise to the world. Atmospheric yet melodic while hitting you in the head with the power of a two ton truck, Fairweather is one of the most exciting bands to emerge from the independent scene since the days of Sonic Youth. Be sure to check out their CD's and prepare for the next time Fairweather invade your town.

MIDTOWN RECOVER DAYS AWAY MELEE The Palace October 1, 2002

Originally scheduled to take place at the El Rey Theater, Midtown found themselves moved to The Palace at the last minute, and one was beginning to wonder if they could draw at such a huge venue. Co-headliner Taking Back Sunday would not be playing due to an accident the singer experienced during the beginning of the tour. The Reunion Show also jumped ship, leaving the band to seek out support acts in a big hurry. Well, it all came together at the last minute, and what a show it was!

First up was Melee, a band from OC who seemed pretty excited about playing at such a large venue. Reminding me of a high school band, Melee showed a lot of potential in their live performance. Vocalist Chris Cron has an expressive way of delivering the highly emotional lyrics. The keyboards really set the band a part, adding a unique sound to the Melee presentation. The members are all talented and resourceful, and Melee should develop into a fairly interesting emo-pop act.

Days Away were up next and delivered an outstanding set. I had seen these guys at The Troubadour a few weeks prior, and could say that I liked this show a lot more. The songs came off as extremely energetic and many in the crowd seemed to be getting into what these guys had to offer. Vocalist Keith Goodwin is a gifted songwriter and sings the words with a muted sense of urgency. Lead guitarist should be singled out for his jangly guitar riffs, adding a hypnotic wall of sound to the proceedings. There is a warmth and sincerity to be found permeating throughout the Days Away material that many will be able to relate to. Don't be surprised to find these guys snatched up by a major label within the next few months. Their EP is entitled The Feel Of It, available now from We The People Records.

Recover was rather annoying. The vocals were harsh and the songs were tuneless. They seemed to exude a ton of attitude but not much of anything else. Nevertheless a lot of people seem to like this band. The first true pit of the evening started up due to these guys. Well, there wasn't anything else to do…

It was time for the headlining Midtown, and although I do not think The Palace was sold out, the place was packed nevertheless. A neon sign that read Midtown Saves signified great things to come, and these dudes from New Jersey gave the crowd exactly what they came to see - a powerhouse rock and roll show. Playing songs from their two MCA/Drive-Thru releases, Midtown had everyone singing along to such favorites as Just Rock And Roll and Become What You Hate. There were impressive three part harmonies on many of the songs. Midtown has worked hard and are beginning to achieve the success they have been aiming for. I have seen the band perform several times now, and this was easily the very best they have ever been! Be sure to check out their latest album Living Well Is The Best Revenge for a treasure trove of infectious rock and roll!

By the way, on the way out we spotted Zach Davis of Student Rick with his hand all bandaged due to an accident while bowling. The Student Rick drummer had to leave the tour due to this injury and was taking time off in Los Angeles checking out some bands. Also spotted was former Student Rick bassist Jason Pavilanis, who seemed in the best of spirits. (Editor's Note: Since this show, Zach Davis also has left Student Rick due to personal reasons. Sad but true...)

ATREYU AUTOPILOT OFF The Glasshouse October 3, 2002

On tour with Snapcase and Boy Sets Fire, OC's Atreyu made a near hometown appearance, stopping off at the Glasshouse in Pomona. Opening the entire show was Autopilot Off, certainly the odd man out on the bill who managed to impress several members of the crowd nevertheless.

Autopilot Off is from New York and play a hard-edged version of power punk with plenty of drive and skill. Signed to Island Records, the band has been touring like crazy in support of their self-titled EP, including appearances all summer long at The Warped Tour. While most of the hardcore and metal kids looked on quizzically as to why Autopilot Off was even part of the bill, others who like more diversity in their music enjoyed the super catchy songs the band launched off like supersonic pop skyrockets. With a band this talented and charismatic, it will be great to see how these guys fair touring alongside other similar acts. Expect great things from Autopilot Off and be sure to catch them next month at The Palace in Hollywood opening for The Ataris.

When Atreyu hit the stage, many in the venue went crazy and created a wild slam pit. With the release of their Victory Records debut Suicide Notes And Butterfly Kisses, Atreyu has been hitting the road and bringing their powerful brand of hardcore metal to the masses outside of the Orange Curtain. The lyrics spewed forth are deeply personal, but in a live setting, the atmosphere is more of a party nature. There are heavy metal moves all over the place and the musicianship in the band is first rate. It was fun watching the two axemen play their guitars behind their heads towards the end of the show. Screaming the lyrics and inciting the crowd at a fevered pitch was Alex Varkatzas, whose sheer intensity was matched by the blast beat drumming and clear vocals of Brandon Saller. Atreyu is a powerful entity live, and they sure know how to put on an entertaining set. You may totally hate heavy metal and hardcore yet still be caught up with the band's killer stage presentation. On the top of the world right now due to incessant touring and a well-received album, it may be harder for Alex to come up with those grim, depressive lyrics in the future. A head-banging extravaganza from a young band destined for a glorious future in rock and fukking roll!

STARING BACK The Chain Reaction October 20, 2002

Based out of Goleta, Staring Back is touring in support of their latest album and made a stop at The Chain Reaction in Orange County. Opening for Embodyment and Dogwood on this night, Staring Back presented an energetic set of super pop and punk to the early arrivers. It was a Christian night and a few in the audience complained about some of the language, but it was the fast paced music that really kicked many audience members in the head. There is an enthusiasm that Staring Back exhibit throughout their live set that transcends over into the crowd. Vocalist Matt Evans has a dynamic stage presence and was all over the stage performing like a genuine madman on a mission. Staring Back would be great for frat parties and their music is just user friendly enough to win over the KROQ masses. The catchier than hell Version 2.0 and other killer cuts from their new album On were delivered as well as songs from earlier efforts. After working with Cameron Webb (Lit, Godsmack, Limp Bizkit) on the new album, Staring Back is now ready to take on the world with their driving music. On is now available from Lobster Records and Staring Back should be showing up in your town sometime soon. These guys (and one girl) are a lot of fun, hard working, and deserve a break today!

THE BREAK The Knitting Factory October 29, 2002

NEVERMORE AT THE KNITTING FACTORY

Nevermore announced they were performing a duo of shows for the purpose of premiering to the world their latest material. One would take place in their hometown of Seattle and the other at the Knitting Factory in Hollywood. Fans packed the Tinseltown venue to hear tunes from their forthcoming Enemies Of Reality disc as well as favorites from their other Century Media releases.

The first opening band that I saw play was Unearth, a hardcore metal outfit from eastern Massachusetts. Unearth stormed onto the stage and proceeded to play an intense set, starting a rather lively mosh pit in the process. Playing a few tunes from their new Endless EP on Eulogy Records, fans of the more traditional metal were won over by the sheer intensity Unearth exuded. Although this was basically a one off show, the band is currently on tour and will be playing LA and OC again in mid-December.

LAMB OF GOD PREACH THE NEW AMERICAN GOSPEL

Those not into the grinding hardcore patiently waiting for the time when Nevermore would hit the stage. While Unearth and Lamb Of God certainly had their fan base present, the night belonged to Nevermore. Opening with the killer Narcosynthesis from Dead Heart In A Dead World, Nevermore blasted through a set of killer tunes. Warrell Dane was in top form, kidding with the audience when he wasn't belting out the Nevermore classics. Both the beer and the metal flowed freely, and judging by what was heard of the newer songs, Enemies Of Realities sounds like a winner - even with the "one ballad" they performed. Warrell and the boys put on an unforgettable show. Now it's time to record the new album and then back to the grind of touring. Those who were lucky enough to attend this one off show witnessed yet another great offering from a band who has help to place the US back on the map as a mighty mecca of heavy ass metal!

The Movielife played several shows in the area recently, bringing a musical taste of Long Island to the Southland. And while their show at The Knitting Factory was a low key affair, a few days later at a sold out Chain Reaction, the band really let loose and demonstrated why they are one of the very best on the Drive-Thru roster of talent.

The first band I saw at The Chain Reaction was The Reunion Show, who are making a good deal of noise due to their excellent Victory Records debut entitled Kill Your Television. Featuring super infectious pop songs in the tradition of Weezer, the quirkiness The Reunion Show displays is highly endearing. In a live setting, tunes like Television and Stuck On You won over the early crowd. The cheesy keyboard used on a few songs really enhanced the overall show. Combining new wave with a thoroughly modern emo approach, the band has really hit on a distinctive sound that is truly all their own. Judging by the crowd at the merch booth at the end of their set, it is safe to say that The Reunion Show was a big hit!

Next up was another Long Island band who call themselves Brand New. I had heard a lot of good praise heaped upon these guys, and their live show was not a disappointment. Playing songs from their Triple Crown release Your Favorite Weapon, Brand New gave the packed house a good time. Jude Law And a Semester Abroad had everyone in the crowd singing along while The No Seatbelt Song presented a more somber side of Brand New. The band even played a terrific tune entitled Moshi Moshi, which is only featured on a split CD they recorded with Safety In Numbers. Featuring catchy songs and an exuberant live show, one can only expect all good things ahead for Brand New. Their inspired pop and emo confections are guaranteed to win them fans big time.

The Movielife headlined the trio of Long Island bands, and really rocked the Chain Reaction. Unlike their Knitting Factory show a few nights ago, the place was packed and The Movielife were in top form. Vocalist Vinnie Caruana has a ton of charisma and encouraged the crowd to sing along to such Movielife favorites as This Time Next Year, Once In A Row, Pinky Swear, and Hand Grenade. Songs from their forthcoming Drive-Thru full length were also performed, including Jamestown and The Kelly Song. With punk and emo influences abound, The Movielife can send any crowd into a sweaty frenzy as controlled chaos ensued during their lively set. Closing with the short yet hyper I Hope You Die Soon, it’s pretty apparent that these guys are gonna be around for years to come, sending slam pits into action and impressing all with their killer live tunes and hyperactive stage shows.

TODAY IS THE DAY BONGZILLA ALL THAT REMAINS The Knitting Factory November 12, 2002

Another night at The Knitting Factory in Hollywood, a venue that is starting to become a metal haven. Relapse recording artists Today Is The Day stopped on by to present their terrifying set to a small but enthusiastic crowd. Their show was a pick hit in many of the local papers and the band delivered the goods, with Reverend Steve Austin preaching from the gospel of Sadness Will Prevail and the other underground Today Is The Day albums. It was truly an experience of biblical proportions.

ALL THAT REMAINS

Opening the night on a brutal note was All That Remains, featuring former Shadows Fall vocalist Philip Labonte. Even heavier live than on their staggering Metal Blade release Behind Silence and Solitude, All That Remains pulverized those who arrived at The Knitting Factory to view a night of extreme music. The band plays extremely technical hardcore metal and Labonte can scream out the lyrics with the best of them. The musicianship in All That Remains is outstanding – it’s just too bad that there weren’t more people around to witness their thunderous set. Tunes played included One Belief, Follow and a new composition entitled Vicious Betrayal. A killer set that gave everyone whiplash early on.

Bongzilla from Madison, Wisconsin lit up the stage, singing songs of love to the blessed Mary Jane. Stoner metal in its finest hour, Bongzilla play long ass jams that one can really lose their head in. Vocalist Mike "Muleboy" Makela was decked out in his fave color green, wearing a Thin Lizzy tee-shirt, spewing out the vocals and screeching an ocean of sonic noise with his guitar. The rest of the band performed like total pros, adding a wall of sound that enveloped the entire venue. Performing Stone A Pig and other tracks from their superb Relapse release Gateway, the masses where banging their heads to the mighty rhythms and hypnotic beats. Halfway during the show, Makela stated they had “stuff for sale or trade if you have some good California green. We would love to trade our merch for it.” Bongzilla rule, and promise to be back early next year to play their stoner for anthems for us all to enjoy. Peace.

MORE LIVE REVIEWS FROM HIGHWIRE DAZE

Hailing from Kenosha, Wisconsin which is just a little ways from where the infamous Milwaukee Metalfest is held, Hangnail have been going across the country, spreading the word regarding their dynamic punk rock anthems. Marking the band's first time in the Los Angeles area, Hangnail found themselves at a poorly publicized show as one of the opening acts for the legendary Cro-Mags. "How many people have actually heard of us?" vocalist Mike Middleton asked the crowd of about 20 - a few hands shot up including a guy in a Further Seems Forever shirt. It's too bad not more people were there, because Hangnail played their hearts out, delivering their extremely catchy punk pop songs like the room was packed to the rafters. Playing tunes from their excellent Tooth & Nail/BEC releases, under better circumstances, the Martini Lounge would have been filled with slamming bodies - just like their show at The Chain Reaction last year. Towards the end of the set, Middleton reaffirmed the band's belief in Christianity and how a lot of it has been screwed up over the years. He offered to talk with anyone who wanted to discuss his ideology and then the rock continued on. Hangnail is as good as Green Day and Blink 182, and will hopefully remain on the road doing live shows and recording memorable albums. Their perseverance is bound to pay off sooner or later. Like a song from their first album, the band continues "Making History" with each and every show, winning over fans along the way.

PUNK ROCK DIVA NINA HAGEN Photo by: Bret Miller

NINA HAGEN GENE LOVES JEZEBEL POWDER The House Of Blues August 20, 2002

It was like an ultra-vivid wet dream come to life - Nina Hagen would be playing at the House Of Blues with L.A.'s own Powder as an opening act. Of course, Gene Loves Jezebel had the middle spot, all decked up in feather boa and make-up, elevating the proceedings to somewhat of a Blue Velvet-like nightmare. But those who attended this wonderfully demented night at the House Of Blues were not soon to forget it.

Powder opened the show, and they are easily one of the best unsigned bands to emerge from the local L.A. scene. Fronted by the lovely Ninette and featuring former Methods Of Mayhem guitarist Phil X, Powder has put the showmanship back into rock and roll. Drummer J-Bo Dynamite is decorated like a Christmas tree, with lights protruding out the top of his head and all over his person. Allen Hearn is a killer bassist and Phil X is the type of guitarist everyone wants work to with - energetic and talented to the max. But the best part of their show is vocalist Ninette, as she is the hottest, most resourceful singer to hit the City of Angels in ages! There is a high flying campiness that permeates throughout the performance, whether it be Ninette's super-outlandish costumes (or lack thereof), or just how far she and the band are willing to go to entertain the jaded masses. Part glam rock and part burlesque show, fire breathing and dancing Ninette clones are all part of the dementia. And fortunately, the songs are killer, instantly put to memory. Best of the set were opener "Sonic Machine," the wondrous "Up Here," the psychotic "Need A Little Help," and the extremely glamorous "I Don't Wanna Wear Red." Powder is an outstanding live act that will leave you smiling and humming their infectious tunes for weeks to come. If you see one local band this year, make damn sure it's Powder!

Gene Loves Jezebel put in a lackluster set playing both old and new songs. Of course, anyone would pale after being under Powder's quivering bosom. "What You See Is What You Get" the vocalist crooned at the end of the set, finally playing the one hit that I remembered from their early KROQ days.

The set up time seemed to take forever, but all was forgiven when Ms. Nina Hagen took over the House of Blues stage. Opening with a brand new song entitled "The Return Of The Mother," Nina Hagen and her band held the audience under their spell for over two hours. The audience was a mixed lot, featuring hardcore punkers, 30-something alternative rockers, and a few drag queens dressed as their favorite diva. Ms. Hagen performed many songs from her current body of work, but did pull out the old favorites such as "Born In Xixax," "Dope Sucks," and "New York, New York." Ms. Hagen blessed the set with incense at the start of the show, but that did not stop strange things from occurring. We did not see any UFO's, but during "New York, New York," a girl came onstage naked from the waist down and started dancing to Ms. Hagen's biggest hit. Obviously not part of the show, Ms. Hagen tried to give the girl her wrap to put on, but the guards were to escort the oblivious dancing queen off the stage. Also, some Dead Or Alive looking clone was dancing obnoxiously, waving his dirty hair and withered body all over the place much to the amusement of the crowd. Eventually the poor guy was tossed out by the ever trusty House Of Blues security as well.

Singing in at least three different languages and accompanying herself with an accordion-like keyboard on the floor, the audience was transfixed by the accomplished German diva. Possessing a penchant for singing songs by dead people, the audience was treated to a warm version of Nirvana's "All Apologies" and a disco-fied treatment of George Harrison's "My Sweet Lord." She co-wrote a good deal of songs with the fallen Dee Dee Ramone, and performed them for the audience as well. Ms. Hagen's singing was varied and wildly entertaining - sometimes she was a Marlene Dietrich-like chanteuse, other times she would chant in deep growling vo-kills, and then she would belt out operatic numbers such as "Ave Maria" for good measure. And towards the end of the show, Nina performed her rendition of the Frank Sinatra classic "I Did It My Way," starting the tune in a melodramatic fashion and then going into an all out German language punk diatribe that made you want to slam your way into oblivion. When the celebration came to an end, Nina Hagen serenaded the audience with a sweet German ballad and sent her fans home in a deep, blissful state. An astounding show from the true Mother of Punk! She has truly done it her way - and will continue to do so for many years to come (and she still looks good too).

STUDENT RICK The Chain Reaction September 10, 2002

What a difference a year makes. This same day in 2001, Student Rick had just wound up a show in Connecticut and were driving on a darkened highway to a gig in New York. About 3AM on the morning of September 11th, they stopped in a gas station outside of the city, were an Arab attendant gave them some rather prophetic advice about not going into New York - "Word has it that winter is coming early." (For more on their unusual encounter with the scary filling station guy, go to www.HighwireDaze.com) One year later, as people were preparing to commemorate the anniversary of the attack on America, Student Rick find themselves on tour once again, visiting that other twilight zone known as Orange County. The beginning of their first headlining tour, Student Rick drew a fairly good crowd for a Tuesday night at The Chain Reaction.

There was a true sense of community at the Onward record release party with several local metal bands performing at the Valley's latest rock and roll hotspot. The celebration was for Onward's terrific new album entitled Reawaken. And if there was anyone sleeping within a ten miles radius of the place, they were surely shaken up to full attention by the inspiring noise that would spill out of the venue.

The first band I saw was Dreams Of Damnation, the latest creation of former Dark Angel member Jim Durkin. Now featuring Century Media's own Loana dp Valencia on vocals, DOD's brand of hyper thrash metal left the place quaking in fear! Ms. Valencia had a lot of intelligent thoughts to share in between the songs, and her fierce vocal delivery would even scare the devil himself. The trend is on regarding female death metal singers, and Loana is one of the most dynamic and energetic! This comes as no surprise to Highwire Daze, who witnessed the Century Media star publicist wreck havoc at last year's Milwaukee Metalfest, making a guest vocal appearance with the almighty Darkane. Would be great to see Durkin and Company open for the new and improved Arch Enemy! In the meantime, DOD is a local metal outfit and could use your undying support! The songs DOD performed included "Hammer Of Sickness," "Bring On The War," "Killing For Peace," and "Baptism."

Next up was Prototype, sounding a bit like Queensryche and Fates Warning, but delivering an outstanding set of their own original material. Don't know much about these guys, except they are excellent musicians and I hope to see them play again soon.

New Eden took the stage after Prototype. Featuring the grand goddess of LA metal Melanie Sisneros - who is one killer bassist - New Eden played a brand of metal so heavy that I'm surprised the walls were still standing when it was all over. The whole place was threatening to explode at the seams as New Eden overpowered the stage. I'm sure Paladinos has never been rocked this hard, except maybe during the last major earthquake. New Eden remains one of the most thunderous metal bands LA has to offer - hopefully a new album will come out this year - and more live appearances too. And be sure to see the beautiful Ms. Sisneros performing in the Iron Maidens as well. It's an all female tribute to Iron Maiden and it's hotter than hell!!!

And finally it was upward and forwards as Onward hit the stage! Opening with the first two tracks from Reawaken, the new music displayed a lot of maturity and thought. Toby Knapp demonstrated why he's one of the most underrated guitarists on the planet, impressing everyone with his fiery soloing. Michael Grant is the classiest metal vocalist around, worthy of being compared to giants such as Ronnie James Dio. Grant's singing style is ultra-dramatic and he really draws the audience in with his stunning delivery of the lyrics. Jon Pereau and Chris Payette made a tighter than hell rhythm section. Although there wasn't the massive crowd this band so rightfully deserves on hand, Onward performed like they were appearing in a stadium. "My Darkest Room," "The Last Sunset" and "Onward" were set highlights. Those who stuck around to the end were treated to a fantastic cover of the Uriah Heep song "Bird Of Prey," which ended the evening out on a memorable note. Be sure to check out Reawaken by Onward from Century Media Records and catch the band live when they show up to enlighten your town.

ARCH ENEMY TAKEN CREMATORIUM The Troubadour March 5, 2002

Because of a series of events and cancellations, Los Angeles would turn out to be the place where the all new Arch Enemy would debut. It was their first live show ever with new vocalist Angela Gossow, and there was a genuine sense of excitement in the air. Even bassist Sharlee D'Angelo admitted he was a bundle of nervous energy, and this if coming from a guy who has played with some of the best metal bands in the world. It was becoming obvious as the night went on that the show was a sell-out, all waiting to witness what would be a memorable event.

Those who arrived early were able to see L.A.'s own Crematorium. Now combining death metal with a decidedly hardcore edge, I can honestly say this was the best show I have ever seen Crematorium perform. The band is truly astounding, and can still play with passion and conviction even though they've been around for nearly a decade. Frontman Dan Dismal is extremely charismatic, and brought a rather poignant note to the proceeding by reminding everyone that it was almost four years ago to the day when Infamy vocalist Jaeger passed away. Songs Crematorium unleashed onto the Troubadour crowd included Unholy Massacre, Cast The Stone and Unborn. In the middle of recording their debut album for Prosthetic Records, expect Crematorium to hot the big time with shows as compelling as these. Be sure the catch these guys when they open for Strapping Young Lad next month.

Next up was Taken from Yorba Linda, who gained the coveted slot, performing just right before Arch Enemy. First of all, Taken is an incredible energetic hardcore bands who would easily have the same fans as a Dillinger Escape Plan or Will Haven. How they wound up on this bill is a mystery, but there is absolutely nothing wrong with musical diversity. Some of the audience were not amused with taunts of "Green Day" and "beach boys" being tossed the bands way. Even in front of a somewhat hostile audience, Taken rocked the house! Vocalist Ray Harkins performed with intensity and tons of enthusiasm. Harkins and the band displayed a professionalism and sense of fun that won over quite a few converts. Currently without a label, it won't be long before Taken become rediscovered. I hope to see Taken again and fans of fiery hardcore rock sound do the same.

And finally, a little after 11PM, Arch Enemy took the stage. The band fired up the house, and when Angela Gossow appeared and bellowed those unearthly growls, the crowd went wild! Gossow is not only the hottest female vocalist is metal right now, but has the talent to complete her demonic beauty. All this, and you had the driving guitar work of the Amott brothers, the relentless drumming of Daniel Erlandsson - and the scene stealing Sharlee D'Angelo, demonstrating why everyone and their mother wants him as their own personal bassist. The band performed songs from all of the Arch Enemy catalog, including "Burning Angel," "Ravenous," "Heart Of Darkness," "The Immortal," and "Beast Of Man." There were many worried about the band's future when Johan Liiva was let go, and a lot of concern when it was discovered who the replacement was. But all the skeptics need not to concern themselves - this version of Arch Enemy is brutal as hell, and bent on dominating the world! Congrats to Arch Enemy for the wild success of the first show with Angela! At press time it has been announced that the band plans to participate in a full on US tour this summer - be sure to catch these guys (and gal) when they arrive to devastate your town!

CATCH 22 GRADE REACH THE SKY STUDENT RICK The Troubadour/Chain Reaction March 10-11, 2002

Victory Records has been signing a lot of interesting bands, with a roster that contains everything from extreme metal to power pop. So when the line-up for this year's Victory tour was announced, the diversity of all the bands on the bill made this one of the most anticipated indie tours of the year. Grade and Catch 22 would co-headline the shows, switching off on the top billing at every stop. Opening in the Los Angeles and Orange County markets were Reach The Sky and Student Rick. Highwire Daze went to check out shows at both The Troubadour in West Hollywood and The Chain Reaction in Orange County.

Student Rick kicked off the shows with a bang, playing their extremely infectious emo-rock to the early crowd. One of the most promising bands Victory has ever signed, Student Rock appealed to music mavens across the board. Their live shows are filled with energy, especially from bassist Jason Pavilanis, who was jumping all over the stage. Sharing the lead vocal and guitar duties were Brett Jones and Adam Reiter - these guys write some of the best pop songs you'll ever hear. Among the tunes performed from their Victory debut Soundtrack For A Generation, the ones that stood out included "Monday Morning," "Please Forgive Me," "Yesterday," and "Falling For You." And then there was Zach Davis on drums, whose infectious style and consistent exhuburance spilled over into the crowd. Fans of the bands from Vagrant Records are sure to cite Student Rick as a new favorite. The future is looking good for these guys - here's hoping that can headline their own shows soon.

Reach The Sky were up next, pulverizing the crowd with their noisy hardcore punk anthems. Vocalist Ian Larrabee and the guys were in top form, starting off the first official mosh pit of the evening. Hailing from the world famous Boston hardcore scene, Reach The Sky is a hard working band and their live sets continue to impress people all over the States.

At The Troubadour show, Grade performed third. Another in the line of hard working Victory acts, this Canadian band continues to gain new fans with each and every release. The line-up is hardly the same since The Embarrasing Beginning, but the material they play is consistant and impressive. Grade delivered to the audience songs from their brand new Headfirst Straight To Hell CD and others from their long and interesting history. A totally professional act that knows how to rock you into oblivion.

Catch 22 closed out the West Hollywood show, getting the audience wild with their inspiring ska tunes. A band that has gained so many fans in such short of time, you can take just one look at their live shows on see just why. Sometimes Highwire Daze writer Con Carlos says Catch 22 is one his favorite bands live, so they came highly recommended. And they surely did not disapoint me or anyone else at the venues. Two outstanding nights with some of the best bands currently signed to an independent label. Be sure to support these and all Victory bands now and in the future!

FIVE POINTE O The Key Club March 13, 2002

After receiving their debut album Untitled in the mail, I wanted to be sure to catch Five Pointe O when they showed up here in the Southland. When they finally arrived, the band had an opening slot on the Mushroomhead show. This was also the same night as the Dimmu Borgir concert across town, but I was willing to go out of my way to catch Five Pointe O's early 8PM set. One of the newest Roadrunner signings, Five Pointe O impressed the early arrivals with their powerful set of metal tunes. Vocalist Daniel Struble has a tremendous stage presence as well as a dynamic range. Struble can belt out the lyrics with fire and passion and can do a sinister death metal growl with the best of them. Sharon Grzellinski may look like your 15-year-old kid sister, but she can rock out like crazy with the rest of the guys. The real fun came from guitarist Eric Wood, whose manic strumming and killer backing vocals climaxed with him falling off the stage at the end of their set. Tunes the band performed included "Double X Minus" and "The Infinity." Expect Five Pointe O to go far, especially with the backing of the mighty Roadrunner Records machine - not to mention their own extraordinary talent and intensive songs. Be sure to check out Untitled as it's easily one of the best debut albums of the New Year thus far.

FINCH ALLISTER MOTH DUMBSTRUCK The Roxy March 16, 2002

One of the best bands on the Drive Thru label right now, Finch had two local shows to commemorate the release of their full length debut album What It Is To Burn. March 16th was the Los Angeles show and it was sold out, disappointing a lot of fans who showed up to by tickets at the door. But the lucky ones who were able to get inside witnessed a dynamic show from a band well on their way to the big name.

Dumbstruck from Downey kicked off the show. Unsigned for now, hopefully someone from Drive-Thru saw these guys, because the crowd went wild over them. This young band has plenty of catchy songs and the girls seemed to be fawning all over them. Those into melodic punk are sure to enjoy these guys. Songs the band performed included "Why You Slipping," "It's Not You It's Me," and "Selfish." A fun filled way to start the evening!

If anyone ever stole a show from the headliners, it was Moth. Another local band, these guys are on Virgin Records and had little in common with the Drive Thru roster of talent. A bit on the darker side of things, Moth performed tracks from their upcoming Provisions, Fiction and Gear release. Opening with the crazy sounds of "Hearing Things", it was obvious that Moth was a different kind of rock and roll beast entirely. None of these other bands would have dared to do a song called "Cocaine Star" - I'm sure this pricked up the ears of some discerning parents in the audience. Nevertheless, Moth's set was filled with quirky, terrific songs such as "Burning Down My Sanity" and soon to be hit single "I See Sound." Frontman Brad Stenz may look like he could have easily stepped out a teen pop band, his influences are more like The Replacements and Failure. Stenz did not say a lot to the audience, but the words and music he and the Moth crew performed spoke volumes. The band also features Rocket From The Crypt's Atom Willard on drums. Watch for an interview with Brad Stenz in the next issue of Highwire Daze!

Not much could be said about Allister except they are on Drive Thru and the audience really liked them a lot. They had a new song called Radio Play which may generate just that, but I'm really not much into Blink 182 clones these days. No matter what anyone writes, these guys are gonna sell records through the roof.

MANOWAR IMMORTAL CATASTROPHIC HAVOCHATE The Palace May 8, 2002

It was another big heavy metal night at the Palace, headlined by the mighty Manowar. The show was sold out, many about to witness the various faces of metal and extreme music.

First up was Havochate out of New York, an unsigned band who performed like their very lives and careers depended on it. The sound was old-fashioned thrash and Havochate dished it all out with a killer intensity. Those who arrived early had their butts kicked in right away with such great songs as "Right To Die," "Vindication," and "Years Of Abhorrence." The band definitely impressed many with this, their first Los Angeles show. Those resourceful enough to meander on over to the Havochate merch booth were treated to a free three song CD.

Next up were the extreme sounds of Catastrophic, featuring the guitar work of former Obituary member Trevor Peres. In addition to songs off their debut CD The Cleansing, Catastrophic played a number of tracks from their forthcoming Metal Blade release. "The Day The Earth Died" and "Dismal" were particularly memorable amongst the newer material. From the first album, "Messiah Pacified" and "Terraform" were the most effective. Crossing the lines of hardcore with an extreme brand of thrash, Catastrophic has a brutal sound that is instantly definable as their very own. Keith DeVito is a charismatic front man, inciting the crowd with his maniacal vocal delivery. It was funny hearing DeVito constantly refer to Peres as "the motherf*cker" who was in "that" band. It was Hatebreed meets Obituary and it all rocked!

A lot of those in attendance where there to see the Los Angeles debut of Immortal from Norway. One of the most famous and influential of the Black Metal bands, Immortal finally made it over due to their being on Nuclear Blast and the overwhelming demand after an ill-fated US tour of last year. These three guys made a lot of noise, and whipped the starving metal masses up into a frenzy with songs like "One By One," "Tyrants" and "Damned In Black." Due to the rules of The Palace, Immortal was not allowed to include pyrotechnics a part of their set, but the overall performance was all the fire that was needed to heat up a wild mosh pit. An unforgettable set of sonic noise that literally threatened to steal the thunder from the headlining Manowar's set.

Fortunately a good number of people stayed to see the legendary Manowar perform. These guys are accustomed to selling out much bigger venues in far off countries, and they delivered a show that was worthy of a much larger arena. Fans of the band were treated to a vast array of hits as well as songs from their new Warriors Of The World release. Their first new studio recording in six years, there is no stopping Manowar now. The set was well received. There were many in the crowd sporting old Manowar shirts who sang along with each and every song. Combine the dramatic vocals with the great musical expertise, and there is little wonder why Manowar is respected all over the world. The metal legions left the show fired up, united, and ready to take on the whole fucking world!

Face To Face always put on fantastic shows, bringing with them some of the best up and coming bands. And on the second of three sold out nights at The House Of Blues in West Hollywood, three of the best kicked off the evening with a bang.

I had no idea Audio Karate was even on the bill or I would have gotten there much earlier. It may have been half way during their show when I arrived, but the House Of Blues was already packed to the rafters, enjoying a powerhouse set from this outstanding local band. A highlight tune was "One Day" from their just released Space Camp debut on Kung Fu Records. These guys have tons of energy and really know how to express the angst-ridden lyrics within the driving emo-pop songs. Audio Karate performs locally quite a bit, so be sure to check the band out when they show up in your neighborhood. Expect these guys to break out big like The Ataris did.

The Movielife has been toiling around the underground clubs for a few years now, and it was great to finally see these East Coast guys playing in a bigger space. Vinnie Caruana is an outstanding vocalist, all over the stage making sure the audience is having a good time. And as usual, the entire band performs like they are playing for a venue the size of the Staples Center (which they very well may one day). The Movielife sent the night into high gear, opening with the anthem-like "This Time Next Year." Several tracks were played from their Revelation release as well as from their Drive Thru debut Has A Gambling Problem. Killer cuts included "Walking On Glass," "Hand Grenade," "Once In A Row," "Single White Female," and "The Kelly Song." While the music is beginning to merge into poppier territory, there is no denying the hardcore influences that the band will always possess. And the fact that these guys just seem so cool onstage will win them over fans in a big way.

Up next was Midtown from New Jersey, who performed several pop/emo songs from their two Drive Thru releases. Consisting of three vocalists who are all good musicians as well as an energetic drummer, Midtown is another hard working band finally getting the recognition they so rightfully deserve. Opening with "Becoming What You Hate," it was clear that the band was a hit with the Hollywood HOB kids. The audience was hooked, and knew the words to many of the songs. Crowd favorites included "Just Rock And Roll," "Come On," "Still Trying," and "Get It Together." Possessing a knack for memorable songwriting and pulling these great tunes off live, expect Midtown to become one of the top acts. Be sure to check out their Living Well Is The Best Revenge release. And expect Midtown and The Movielife to be on the Warped Tour this summer.

And of course, Face To Face played another unforgettable show, demonstrating to the kids what great music is all about. Another memorable night at the House Of Blues in Hollyweird!!!

FINCH THE STARTING LINE The Troubadour May 21, 2002

Finch and The Starting Line are two of the best bands on Drive-Thru Records, so it comes as little surprise that these guys sold out The Troubadour for a local LA show. After a few opening acts, The Starting Line took to the stage, and got the place rocking away. One highlight was when the guys performed their cover of the J’Lo song "I’m Real," which is from the Punk Goes Pop comp. Towards the end of the set, Finch vocalist Nate joined the band for a rousing rendition of a new song entitled "Cheek To Cheek." In such a short time and with only an EP out so far, The Starting Line has gained quite a following and will continue to do so with sets this good. Those into emo-rock that is bittersweet but infectious should check out what The Starting Line has to offer. Say It Like You Mean It is due out July 16th.

Headlining the night was Finch, and they really got a good pit going at The Troubadour. Mixing in pop and emo with fine elements of hardcore and metal, the band literally has something for everyone in their rambunctious sound. Their debut album is called What It Is To Burn, and that’s pretty much what they did all over the stage. Nate’s vocal delivery is fiery and passionate – this guy jumps and rolls all over the stage and is a highly energetic frontman. "Perfection Through Silence," "Letters To You," and "Stay With Me" were crowd favorites. I’m surprised this band isn’t all over KROQ by now, but judging by the admiration the full house at The Troub gave the band, Finch may not need radio play at all to cement their reputation. These Finch-birds rock hard and nasty, and are well on their way to worldwide rock and roll domination!

STARFLYER 59 EL MATADOR The El Rey Theater May 25, 2002

Starflyer 59 is a prolific band, constantly releasing new material that is challenging and critically acclaimed. Although I have kept up with SF59 for a good number of years, this would be the first time I would see them in a live arena. For those who don't know, SF59 play hypnotic alternative rock that stimulates the soul and mind. At The El Rey, the band performed a short set of tunes, including "No New Kinda Story," "Play The C Chord," and "All My Friends Who Play Guitar." This show was a special occasion, as SF59 were gigging as a five-piece for the first time. The sound was full and strong, SF59's music enveloping the auditorium with its infectious, yet wistful melodies. Founding member Jason Martin is probably one of the most underrated songwriters around - with a full-on band ready to go, here's hoping Mr. Martin, Mr. Cloud and the gang play a lot more shows in the near future.

Playing right before SF59 was El Matador, presenting a rousing set of U2-inspired tunes. All the songs were memorable, with "Teen Queen" being an instant hit with the crowd. Don't know a lot about these guys, but the singer has charisma to spare and the band performed like total pros. I will definitely be checking El Matador out the next time they play in town. And make sure to catch a SF59 show as well. In the meantime, snag a copy of Leave Here A Stranger and inhabit the melancholy, bittersweet world of Starflyer 59. And watch for a brand spanking new EP from these guys too, due out any day now from Tooth & Nail Records!

For a heavy metal show that the bands had only a few days to publicize, quite a few people turned out to see the very best of what the local music scene has to offer. The Key Club promised to book more nights like this if the show went well, and judging by the size of the crowd, expect more weekend metal nights soon! While not packed to the rafters, what these bands were able to draw on just a few days notice was miraculous.

Based out of Burbank via the sheet-kickin’ wilds of Tennessee, Ketaset kicked off the night with a thunderous bang. Their complex sound is a mixture of metal and hardcore, filled with darkness and embellished upon with Yngwie-like guitar solos. Fans of technical death outfits such as Divine Empire and Scar Culture should really become fired up by what Ketaset has to offer the world. In addition to their own killer songs such as Beast Machine and Reality, Ketaset performed a ripping cover of the Sepultura tune "Propaganda." “The next generation of heavy metal is here, now!” screams their catch phrase, and after witnessing Defiled’s set, the slogan proved itself right on target. Despite the fact that these guys appear to be still in high school, Defiled play with an expertise that musicians twice their age are lucky to achieve. The musicianship is top notch, and vo-killist Jamie performs with a strong, guttural death metal growl. If these guys are this good at this point in their careers, expect Defiled to possess fans worldwide with their ferocious set of tunes. Hanson and Silverchair quake in fear, cuz Defiled from Hell-A have arrived, and they are gonna rip your faces off with their sheer musical brutality!

Anemosity was third on the bill, featuring an outstanding drummer who handled much of the lead vocal delivery. The band performs blackened death metal and their songs and players are outstanding. The set list included "Heavenly Corpse," "Conquer The Weak," and "Born Of The Dead." Most notable are all the girls these guys brought to the venue to see them. So whenever Anemosity shows up in your town, be sure to check out the hellish death metal and the heavenly chicks!

Co-headlining the show was Anubis Rising, a technical metal band from LA who have a lot in common with bands such as Opeth and Emperor. It’s been awhile since I’ve seen this band perform live, and the direction their music has taken is dramatic and exhilarating. The songs are all lengthy and filled with mystical turns. The heavy moments are almost hypnotic, driving the listener in and lulling them into a thrilling state of musical bliss. One of the most adventurous bands in extreme metal from LA, Anubis Rising dare to challenge the audience with their progressive compositions. All those who ventured to listen were given a rapturous aural presentation. Be sure to check out their split CD with Uphill Battle – order your own copy by going to www.anubisrising.net!